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工作流 / 产品与广告 / 单图生成汽车视频
单图生成汽车视频

单图生成汽车视频

1 Image to Car Product Shots

上传车辆照片，生成多角度高质量视频。

产品与广告 23 个节点 1 个输入 20 次使用 ComfyUI ≥ 0.35.2 hellorob 104 KB

下载工作流 JSON 查看官方来源

下载后把文件拖进 ComfyUI 窗口即可打开。

节点构成

SaveImage × 4
SaveVideo × 4
ByteDanceSeedreamNodeV3 × 4
GetVideoComponents × 3
Reroute × 2
LoadImage × 1
BatchImagesNode × 1
CreateVideo × 1
ba9a7b30-cca0-4afc-9b44-ebfdc6121d4a × 1
f0fb6ee5-af18-4ce2-b2e5-3c41c2b18aec × 1
8644d200-d58d-4311-bebe-a9f397568743 × 1

官方标注的模型

KlingSeedream

工作流 JSON

和上面「下载工作流 JSON」是同一份文件。

1{
2 "id": "6e9f36f5-f3ec-4ad3-9da1-02fad3ce9cde",
3 "revision": 0,
4 "last_node_id": 123,
5 "last_link_id": 211,
6 "nodes": [
7 {
8 "id": 23,
9 "type": "SaveImage",
10 "pos": [
11 1320,
12 -640
13 ],
14 "size": [
15 700,
16 610
17 ],
18 "flags": {
19 "collapsed": false
20 },
21 "order": 5,
22 "mode": 0,
23 "inputs": [
24 {
25 "name": "images",
26 "type": "IMAGE",
27 "link": 123
28 }
29 ],
30 "outputs": [
31 {
32 "name": "images",
33 "type": "IMAGE",
34 "links": [
35 141
36 ]
37 }
38 ],
39 "properties": {
40 "Node name for S&R": "SaveImage",
41 "cnr_id": "comfy-core",
42 "ver": "0.4.0"
43 },
44 "widgets_values": [
45 "ComfyUI-image_1"
46 ],
47 "widgets_values_named": {
48 "filename_prefix": "ComfyUI-image_1"
49 }
50 },
51 {
52 "id": 24,
53 "type": "SaveImage",
54 "pos": [
55 1320,
56 810
57 ],
58 "size": [
59 700,
60 610
61 ],
62 "flags": {
63 "collapsed": false
64 },
65 "order": 7,
66 "mode": 0,
67 "inputs": [
68 {
69 "name": "images",
70 "type": "IMAGE",
71 "link": 127
72 }
73 ],
74 "outputs": [
75 {
76 "name": "images",
77 "type": "IMAGE",
78 "links": [
79 196,
80 210
81 ]
82 }
83 ],
84 "properties": {
85 "Node name for S&R": "SaveImage",
86 "cnr_id": "comfy-core",
87 "ver": "0.4.0"
88 },
89 "widgets_values": [
90 "ComfyUI-image_3"
91 ],
92 "widgets_values_named": {
93 "filename_prefix": "ComfyUI-image_3"
94 }
95 },
96 {
97 "id": 13,
98 "type": "SaveImage",
99 "pos": [
100 1320,
101 80
102 ],
103 "size": [
104 700,
105 610
106 ],
107 "flags": {
108 "collapsed": false
109 },
110 "order": 6,
111 "mode": 0,
112 "inputs": [
113 {
114 "name": "images",
115 "type": "IMAGE",
116 "link": 125
117 }
118 ],
119 "outputs": [
120 {
121 "name": "images",
122 "type": "IMAGE",
123 "links": [
124 142,
125 195
126 ]
127 }
128 ],
129 "properties": {
130 "Node name for S&R": "SaveImage",
131 "cnr_id": "comfy-core",
132 "ver": "0.4.0"
133 },
134 "widgets_values": [
135 "ComfyUI-image_2"
136 ],
137 "widgets_values_named": {
138 "filename_prefix": "ComfyUI-image_2"
139 }
140 },
141 {
142 "id": 25,
143 "type": "SaveImage",
144 "pos": [
145 1320,
146 1550
147 ],
148 "size": [
149 700,
150 610
151 ],
152 "flags": {
153 "collapsed": false
154 },
155 "order": 9,
156 "mode": 0,
157 "inputs": [
158 {
159 "name": "images",
160 "type": "IMAGE",
161 "link": 130
162 }
163 ],
164 "outputs": [
165 {
166 "name": "images",
167 "type": "IMAGE",
168 "links": [
169 211
170 ]
171 }
172 ],
173 "properties": {
174 "Node name for S&R": "SaveImage",
175 "cnr_id": "comfy-core",
176 "ver": "0.4.0"
177 },
178 "widgets_values": [
179 "ComfyUI-image_4"
180 ],
181 "widgets_values_named": {
182 "filename_prefix": "ComfyUI-image_4"
183 }
184 },
185 {
186 "id": 10,
187 "type": "LoadImage",
188 "pos": [
189 -160,
190 510
191 ],
192 "size": [
193 770,
194 670
195 ],
196 "flags": [],
197 "order": 0,
198 "mode": 0,
199 "inputs": [],
200 "outputs": [
201 {
202 "name": "IMAGE",
203 "type": "IMAGE",
204 "links": [
205 120,
206 124,
207 129,
208 132
209 ]
210 },
211 {
212 "name": "MASK",
213 "type": "MASK",
214 "links": null
215 }
216 ],
217 "properties": {
218 "Node name for S&R": "LoadImage",
219 "cnr_id": "comfy-core",
220 "ver": "0.4.0"
221 },
222 "widgets_values": [
223 "product_car.jpg",
224 "image"
225 ],
226 "widgets_values_named": {
227 "image": "product_car.jpg",
228 "upload": "image"
229 },
230 "color": "#232",
231 "bgcolor": "#353"
232 },
233 {
234 "id": 22,
235 "type": "SaveVideo",
236 "pos": [
237 2600,
238 -320
239 ],
240 "size": [
241 700,
242 150
243 ],
244 "flags": [],
245 "order": 14,
246 "mode": 0,
247 "inputs": [
248 {
249 "name": "video",
250 "type": "VIDEO",
251 "link": 70
252 }
253 ],
254 "outputs": [
255 {
256 "name": "video",
257 "type": "VIDEO",
258 "links": [
259 154
260 ]
261 }
262 ],
263 "properties": {
264 "Node name for S&R": "SaveVideo",
265 "cnr_id": "comfy-core",
266 "ver": "0.4.0"
267 },
268 "widgets_values": [
269 "video/ComfyUI-video_1",
270 "auto",
271 "auto",
272 "auto"
273 ],
274 "widgets_values_named": {
275 "filename_prefix": "video/ComfyUI-video_1",
276 "format": "auto",
277 "format.codec": "auto",
278 "codec": "auto"
279 }
280 },
281 {
282 "id": 26,
283 "type": "SaveVideo",
284 "pos": [
285 2600,
286 410
287 ],
288 "size": [
289 700,
290 150
291 ],
292 "flags": [],
293 "order": 15,
294 "mode": 0,
295 "inputs": [
296 {
297 "name": "video",
298 "type": "VIDEO",
299 "link": 194
300 }
301 ],
302 "outputs": [
303 {
304 "name": "video",
305 "type": "VIDEO",
306 "links": [
307 152
308 ]
309 }
310 ],
311 "properties": {
312 "Node name for S&R": "SaveVideo",
313 "cnr_id": "comfy-core",
314 "ver": "0.4.0"
315 },
316 "widgets_values": [
317 "video/ComfyUI-video_2",
318 "auto",
319 "auto",
320 "auto"
321 ],
322 "widgets_values_named": {
323 "filename_prefix": "video/ComfyUI-video_2",
324 "format": "auto",
325 "format.codec": "auto",
326 "codec": "auto"
327 }
328 },
329 {
330 "id": 27,
331 "type": "SaveVideo",
332 "pos": [
333 2600,
334 1170
335 ],
336 "size": [
337 700,
338 150
339 ],
340 "flags": [],
341 "order": 16,
342 "mode": 0,
343 "inputs": [
344 {
345 "name": "video",
346 "type": "VIDEO",
347 "link": 209
348 }
349 ],
350 "outputs": [
351 {
352 "name": "video",
353 "type": "VIDEO",
354 "links": [
355 153
356 ]
357 }
358 ],
359 "properties": {
360 "Node name for S&R": "SaveVideo",
361 "cnr_id": "comfy-core",
362 "ver": "0.4.0"
363 },
364 "widgets_values": [
365 "video/ComfyUI-video_3",
366 "auto",
367 "auto",
368 "auto"
369 ],
370 "widgets_values_named": {
371 "filename_prefix": "video/ComfyUI-video_3",
372 "format": "auto",
373 "format.codec": "auto",
374 "codec": "auto"
375 }
376 },
377 {
378 "id": 39,
379 "type": "Reroute",
380 "pos": [
381 2050,
382 1550
383 ],
384 "size": [
385 75,
386 26
387 ],
388 "flags": [],
389 "order": 10,
390 "mode": 0,
391 "inputs": [
392 {
393 "name": "",
394 "type": "*",
395 "link": 131
396 }
397 ],
398 "outputs": [
399 {
400 "name": "",
401 "type": "IMAGE",
402 "links": []
403 }
404 ],
405 "properties": {
406 "showOutputText": false,
407 "horizontal": false
408 }
409 },
410 {
411 "id": 51,
412 "type": "GetVideoComponents",
413 "pos": [
414 3510,
415 190
416 ],
417 "size": [
418 230,
419 140
420 ],
421 "flags": [],
422 "order": 17,
423 "mode": 0,
424 "inputs": [
425 {
426 "name": "video",
427 "type": "VIDEO",
428 "link": 154
429 }
430 ],
431 "outputs": [
432 {
433 "name": "images",
434 "type": "IMAGE",
435 "links": [
436 100
437 ]
438 },
439 {
440 "name": "audio",
441 "type": "AUDIO",
442 "links": []
443 },
444 {
445 "name": "fps",
446 "type": "FLOAT",
447 "links": [
448 98
449 ]
450 },
451 {
452 "name": "bit_depth",
453 "type": "COMBO",
454 "links": null
455 },
456 {
457 "name": "color_space",
458 "type": "COMBO",
459 "links": null
460 }
461 ],
462 "properties": {
463 "Node name for S&R": "GetVideoComponents",
464 "cnr_id": "comfy-core",
465 "ver": "0.4.0"
466 }
467 },
468 {
469 "id": 50,
470 "type": "GetVideoComponents",
471 "pos": [
472 3510,
473 630
474 ],
475 "size": [
476 230,
477 140
478 ],
479 "flags": [],
480 "order": 19,
481 "mode": 0,
482 "inputs": [
483 {
484 "name": "video",
485 "type": "VIDEO",
486 "link": 153
487 }
488 ],
489 "outputs": [
490 {
491 "name": "images",
492 "type": "IMAGE",
493 "links": [
494 102
495 ]
496 },
497 {
498 "name": "audio",
499 "type": "AUDIO",
500 "links": []
501 },
502 {
503 "name": "fps",
504 "type": "FLOAT",
505 "links": []
506 },
507 {
508 "name": "bit_depth",
509 "type": "COMBO",
510 "links": null
511 },
512 {
513 "name": "color_space",
514 "type": "COMBO",
515 "links": null
516 }
517 ],
518 "properties": {
519 "Node name for S&R": "GetVideoComponents",
520 "cnr_id": "comfy-core",
521 "ver": "0.4.0"
522 }
523 },
524 {
525 "id": 54,
526 "type": "BatchImagesNode",
527 "pos": [
528 3860,
529 420
530 ],
531 "size": [
532 230,
533 120
534 ],
535 "flags": [],
536 "order": 20,
537 "mode": 0,
538 "inputs": [
539 {
540 "label": "image0",
541 "name": "images.image0",
542 "type": "IMAGE",
543 "link": 100
544 },
545 {
546 "name": "images.image1",
547 "shape": 7,
548 "type": "IMAGE",
549 "link": 101
550 },
551 {
552 "name": "images.image2",
553 "shape": 7,
554 "type": "IMAGE",
555 "link": 102
556 },
557 {
558 "name": "images.image3",
559 "shape": 7,
560 "type": "IMAGE",
561 "link": null
562 }
563 ],
564 "outputs": [
565 {
566 "name": "IMAGE",
567 "type": "IMAGE",
568 "links": [
569 103
570 ]
571 }
572 ],
573 "properties": {
574 "Node name for S&R": "BatchImagesNode"
575 }
576 },
577 {
578 "id": 47,
579 "type": "CreateVideo",
580 "pos": [
581 4170,
582 420
583 ],
584 "size": [
585 270,
586 170
587 ],
588 "flags": [],
589 "order": 21,
590 "mode": 0,
591 "inputs": [
592 {
593 "name": "images",
594 "type": "IMAGE",
595 "link": 103
596 },
597 {
598 "name": "audio",
599 "shape": 7,
600 "type": "AUDIO",
601 "link": null
602 },
603 {
604 "name": "fps",
605 "type": "FLOAT",
606 "widget": {
607 "name": "fps"
608 },
609 "link": 98
610 }
611 ],
612 "outputs": [
613 {
614 "name": "VIDEO",
615 "type": "VIDEO",
616 "links": [
617 90
618 ]
619 }
620 ],
621 "properties": {
622 "Node name for S&R": "CreateVideo"
623 },
624 "widgets_values": [
625 30,
626 "auto",
627 "sRGB",
628 "none"
629 ],
630 "widgets_values_named": {
631 "fps": 30,
632 "bit_depth": "auto",
633 "color_space": "sRGB",
634 "codec": "none"
635 }
636 },
637 {
638 "id": 49,
639 "type": "GetVideoComponents",
640 "pos": [
641 3510,
642 410
643 ],
644 "size": [
645 230,
646 140
647 ],
648 "flags": [],
649 "order": 18,
650 "mode": 0,
651 "inputs": [
652 {
653 "name": "video",
654 "type": "VIDEO",
655 "link": 152
656 }
657 ],
658 "outputs": [
659 {
660 "name": "images",
661 "type": "IMAGE",
662 "links": [
663 101
664 ]
665 },
666 {
667 "name": "audio",
668 "type": "AUDIO",
669 "links": []
670 },
671 {
672 "name": "fps",
673 "type": "FLOAT",
674 "links": []
675 },
676 {
677 "name": "bit_depth",
678 "type": "COMBO",
679 "links": null
680 },
681 {
682 "name": "color_space",
683 "type": "COMBO",
684 "links": null
685 }
686 ],
687 "properties": {
688 "Node name for S&R": "GetVideoComponents",
689 "cnr_id": "comfy-core",
690 "ver": "0.4.0"
691 }
692 },
693 {
694 "id": 38,
695 "type": "Reroute",
696 "pos": [
697 2050,
698 810
699 ],
700 "size": [
701 75,
702 26
703 ],
704 "flags": [],
705 "order": 8,
706 "mode": 0,
707 "inputs": [
708 {
709 "name": "",
710 "type": "*",
711 "link": 128
712 }
713 ],
714 "outputs": [
715 {
716 "name": "",
717 "type": "IMAGE",
718 "links": []
719 }
720 ],
721 "properties": {
722 "showOutputText": false,
723 "horizontal": false
724 }
725 },
726 {
727 "id": 48,
728 "type": "SaveVideo",
729 "pos": [
730 4500,
731 420
732 ],
733 "size": [
734 780,
735 150
736 ],
737 "flags": [],
738 "order": 22,
739 "mode": 0,
740 "inputs": [
741 {
742 "name": "video",
743 "type": "VIDEO",
744 "link": 90
745 }
746 ],
747 "outputs": [
748 {
749 "name": "video",
750 "type": "VIDEO",
751 "links": null
752 }
753 ],
754 "properties": [],
755 "widgets_values": [
756 "video/ComfyUI",
757 "auto",
758 "auto",
759 "auto"
760 ],
761 "widgets_values_named": {
762 "filename_prefix": "video/ComfyUI",
763 "format": "auto",
764 "format.codec": "auto",
765 "codec": "auto"
766 }
767 },
768 {
769 "id": 42,
770 "type": "ba9a7b30-cca0-4afc-9b44-ebfdc6121d4a",
771 "pos": [
772 2320,
773 -320
774 ],
775 "size": [
776 230,
777 110
778 ],
779 "flags": [],
780 "order": 11,
781 "mode": 0,
782 "inputs": [
783 {
784 "name": "image1",
785 "type": "IMAGE",
786 "link": 141
787 },
788 {
789 "name": "image2",
790 "type": "IMAGE",
791 "link": 142
792 }
793 ],
794 "outputs": [
795 {
796 "name": "VIDEO",
797 "type": "VIDEO",
798 "links": [
799 70
800 ]
801 }
802 ],
803 "properties": {
804 "cnr_id": "comfy-core",
805 "ver": "0.4.0",
806 "proxyWidgets": [],
807 "previewExposures": []
808 }
809 },
810 {
811 "id": 79,
812 "type": "ByteDanceSeedreamNodeV3",
813 "pos": [
814 870,
815 -640
816 ],
817 "size": [
818 400,
819 440
820 ],
821 "flags": [],
822 "order": 1,
823 "mode": 0,
824 "inputs": [
825 {
826 "name": "model.images.image_1",
827 "shape": 7,
828 "type": "IMAGE",
829 "link": 120
830 },
831 {
832 "name": "model.images.image_2",
833 "shape": 7,
834 "type": "IMAGE",
835 "link": null
836 }
837 ],
838 "outputs": [
839 {
840 "name": "IMAGE",
841 "type": "IMAGE",
842 "links": [
843 123
844 ]
845 }
846 ],
847 "properties": {
848 "Node name for S&R": "ByteDanceSeedreamNodeV3"
849 },
850 "widgets_values": [
851 "Create an extreme close up view of the main element in the scene. Studio scene with a white background.",
852 "seedream-4-5-251128",
853 "(2K) 2848x1600 (16:9)",
854 2048,
855 2048,
856 1,
857 false,
858 1,
859 "fixed",
860 false,
861 true,
862 "fixed"
863 ],
864 "widgets_values_named": {
865 "prompt": "Create an extreme close up view of the main element in the scene. Studio scene with a white background.",
866 "model": "seedream-4-5-251128",
867 "model.size_preset": "(2K) 2848x1600 (16:9)",
868 "model.width": 2048,
869 "model.height": 2048,
870 "model.max_images": 1,
871 "model.fail_on_partial": false,
872 "model.seed": 1,
873 "control_after_generate#1": "fixed",
874 "model.watermark": false,
875 "model.thinking": true,
876 "control_after_generate": "fixed"
877 },
878 "color": "#432",
879 "bgcolor": "#653"
880 },
881 {
882 "id": 80,
883 "type": "ByteDanceSeedreamNodeV3",
884 "pos": [
885 880,
886 80
887 ],
888 "size": [
889 400,
890 380
891 ],
892 "flags": [],
893 "order": 2,
894 "mode": 0,
895 "inputs": [
896 {
897 "name": "model.images.image_1",
898 "shape": 7,
899 "type": "IMAGE",
900 "link": 124
901 },
902 {
903 "name": "model.images.image_2",
904 "shape": 7,
905 "type": "IMAGE",
906 "link": null
907 }
908 ],
909 "outputs": [
910 {
911 "name": "IMAGE",
912 "type": "IMAGE",
913 "links": [
914 125
915 ]
916 }
917 ],
918 "properties": {
919 "Node name for S&R": "ByteDanceSeedreamNodeV3"
920 },
921 "widgets_values": [
922 "Create a low view, super-wide shot of the main subject in this scene. Studio scene with a white background.",
923 "seedream-4-5-251128",
924 "(2K) 2848x1600 (16:9)",
925 2048,
926 2048,
927 1,
928 false,
929 2,
930 "fixed",
931 false,
932 true,
933 "fixed"
934 ],
935 "widgets_values_named": {
936 "prompt": "Create a low view, super-wide shot of the main subject in this scene. Studio scene with a white background.",
937 "model": "seedream-4-5-251128",
938 "model.size_preset": "(2K) 2848x1600 (16:9)",
939 "model.width": 2048,
940 "model.height": 2048,
941 "model.max_images": 1,
942 "model.fail_on_partial": false,
943 "model.seed": 2,
944 "control_after_generate#1": "fixed",
945 "model.watermark": false,
946 "model.thinking": true,
947 "control_after_generate": "fixed"
948 },
949 "color": "#432",
950 "bgcolor": "#653"
951 },
952 {
953 "id": 81,
954 "type": "ByteDanceSeedreamNodeV3",
955 "pos": [
956 890,
957 810
958 ],
959 "size": [
960 400,
961 380
962 ],
963 "flags": [],
964 "order": 3,
965 "mode": 0,
966 "inputs": [
967 {
968 "name": "model.images.image_1",
969 "shape": 7,
970 "type": "IMAGE",
971 "link": 129
972 },
973 {
974 "name": "model.images.image_2",
975 "shape": 7,
976 "type": "IMAGE",
977 "link": null
978 }
979 ],
980 "outputs": [
981 {
982 "name": "IMAGE",
983 "type": "IMAGE",
984 "links": [
985 127,
986 128
987 ]
988 }
989 ],
990 "properties": {
991 "Node name for S&R": "ByteDanceSeedreamNodeV3"
992 },
993 "widgets_values": [
994 "Side view of the main subject in the scene. Studio scene with a white background.",
995 "seedream-4-5-251128",
996 "(2K) 2848x1600 (16:9)",
997 2048,
998 2048,
999 1,
1000 false,
1001 2,
1002 "fixed",
1003 false,
1004 true,
1005 "fixed"
1006 ],
1007 "widgets_values_named": {
1008 "prompt": "Side view of the main subject in the scene. Studio scene with a white background.",
1009 "model": "seedream-4-5-251128",
1010 "model.size_preset": "(2K) 2848x1600 (16:9)",
1011 "model.width": 2048,
1012 "model.height": 2048,
1013 "model.max_images": 1,
1014 "model.fail_on_partial": false,
1015 "model.seed": 2,
1016 "control_after_generate#1": "fixed",
1017 "model.watermark": false,
1018 "model.thinking": true,
1019 "control_after_generate": "fixed"
1020 },
1021 "color": "#432",
1022 "bgcolor": "#653"
1023 },
1024 {
1025 "id": 82,
1026 "type": "ByteDanceSeedreamNodeV3",
1027 "pos": [
1028 870,
1029 1550
1030 ],
1031 "size": [
1032 400,
1033 380
1034 ],
1035 "flags": [],
1036 "order": 4,
1037 "mode": 0,
1038 "inputs": [
1039 {
1040 "name": "model.images.image_1",
1041 "shape": 7,
1042 "type": "IMAGE",
1043 "link": 132
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1831 "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.",
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Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.",
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2360 "Gemini 3.8 Flash",
2361 "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.",
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Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. 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2893 "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. 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2904 "model.prompt": "STEP 1: ANALYZE BOTH IMAGES\nBefore crafting the prompt, analyze both images to understand:\n\n\nCamera distance (wide shot, medium, close-up, extreme close-up, macro)\nCamera angle (low-angle, high-angle, eye-level, overhead, Dutch, worm's eye, bird's eye)\nCamera position relative to subject (front, side profile, 3/4 view, back, overhead)\nFraming (full body, torso, chest-up, face only, detail/macro)\nSubject position and pose\nLighting setup and direction\nBackground elements and depth\nFocal length characteristics (wide-angle distortion vs telephoto compression)\n\nSTEP 2: DETERMINE CAMERA MOVEMENT\nBased on the differences between images, identify the primary camera movement:\n\n\nDistance change: Dolly-in (closer) or Dolly-out (farther)\nVertical angle change: Tilt up/down or Crane up/down\nHorizontal angle change: Pan left/right or Orbit/Arc around subject\nHeight change: Crane/Pedestal up or down\nLateral movement: Truck/Track left or right\n\nSTEP 3: OUTPUT ONLY THE PROMPT\nDo not include explanations, commentary, or additional text.\nOutput ONLY the transition prompt in this format:\n\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nCore Principle\n\nFor transitions where the subject/scene remains consistent and only the camera position changes, use this structured approach to ensure smooth, cinematic results.\n\n\nPrompt Structure Template\n\n[CAMERA MOVEMENT] from [START POSITION] to [END POSITION]. Subject remains stationary and consistent throughout. Camera [MOVEMENT VERB] fluidly, maintaining [FOCUS BEHAVIOR] on [KEY ELEMENT]. Lighting stays constant, background [BACKGROUND BEHAVIOR]. [TECHNICAL SPECS]. --no [NEGATIVE ELEMENTS]\n\nComponent Breakdown\n\n1. CAMERA MOVEMENT TYPES\n\n\nDolly-in/Push-in: Camera moves forward toward subject\nDolly-out/Pull-back: Camera moves backward away from subject\nOrbit/Arc: Camera circles around subject (specify left/right)\nTilt: Camera angles up or down on fixed position\nPan: Camera swivels left or right horizontally\nCrane/Pedestal: Camera moves vertically up or down\nTracking/Trucking: Camera moves parallel to subject\n\n2. POSITION DESCRIPTORS\n\n\nDistance: wide shot, medium shot, close-up, extreme close-up, macro\nAngle: low-angle, high-angle, eye-level, overhead, Dutch angle, worm's eye view, bird's eye view\nFraming: full body, three-quarter, torso, chest-up, face, detail\n\n3. MOVEMENT VERBS (choose intensity)\n\n\nSlowly, steadily, smoothly, gradually, fluidly\nRapidly, dynamically, swiftly\nElegantly, dramatically, confidently\n\n4. FOCUS BEHAVIOR\n\n\nSharp focus throughout\nRack focus from [A] to [B]\nMaintains focus on [element]\nShallow depth of field\nDeep focus\nProgressive focus shift\n\n5. BACKGROUND BEHAVIOR\n\n\nStays consistent\nBlurs to bokeh\nSharpens into view\nFades to [color]\nRemains sharp throughout\n\n6. TECHNICAL SPECS (standard cinematic quality)\n\n\nCinematic depth of field\nStable gimbal/dolly movement\nProfessional commercial grade\n24fps (or 30fps, 60fps for slow-motion feel)\nClean sensor, no grain (or \"film grain\" if desired)\n\n\nExample Prompts by Movement Type\n\nDOLLY-IN (Wide → Close-up)\n\n\nSmooth camera dolly-in from wide establishing shot to extreme close-up. Subject remains stationary. Camera pushes forward steadily, transitioning focus from [background element] to [detail]. Lighting stays constant, background softly blurs to bokeh. Cinematic depth of field, stable gimbal movement, 24fps. --no shake, cuts, warping, distortion\n\nDOLLY-OUT (Close-up → Wide)\n\n\nSmooth camera pull-back from extreme close-up to wide establishing shot. Subject remains centered and stationary. Camera retreats steadily, revealing environment progressively. Focus maintains on subject while background sharpens into view. Even lighting, cinematic depth of field, 24fps. --no shake, cuts, jump, warping\n\nORBIT (Circular movement)\n\n\nSmooth camera orbit from front view to side profile. Subject remains stationary at center. Camera arcs left fluidly in 90-degree rotation, maintaining constant distance and eye-level angle. Lighting stays consistent, sharp focus throughout. Gimbal stabilized circular tracking, 24fps. --no shake, warping, speed changes, distortion\n\nTILT (Vertical angle change)\n\n\nSmooth camera tilt from low-angle to high-angle. Subject remains stationary. Camera tilts upward gradually, shifting perspective from worm's eye view to bird's eye view. Distance stays constant, lighting consistent. Stable tripod tilt, cinematic framing, 24fps. --no shake, panning, horizontal movement, warping\n\nPAN (Horizontal swivel)\n\n\nSmooth camera pan from left profile to right profile. Subject remains stationary. Camera swivels horizontally across 180 degrees, maintaining constant distance and eye-level. Sharp focus throughout, even lighting. Fluid tripod pan, 24fps. --no shake, tilting, vertical movement, cuts\n\nCRANE UP/DOWN\n\n\nSmooth camera crane from ground-level to overhead view. Subject remains stationary at center. Camera elevates vertically, angle shifting from eye-level to bird's eye view. Distance adjusts proportionally, lighting consistent. Stabilized crane movement, 24fps. --no shake, lateral movement, warping, distortion\n\nKey Rules for Camera-Only Transitions\n\nAlways specify subject remains stationary - This prevents unwanted morphing\nDescribe start AND end positions clearly - Gives model clear targets\nUse specific movement verbs - \"Dolly-in\" is clearer than \"moves closer\"\nLock down what DOESN'T change - Lighting, subject, clothing, expression\nInclude technical quality markers - Gimbal, 24fps, cinematic, stable\nNegative prompts are critical - Prevents warping/morphing/distortion\nKeep prompts under 75 words - Model weights early words heavier\nOne primary movement per transition - Don't combine dolly + pan + tilt\n\nAdvanced Techniques\n\nSpeed Ramping:\n\"Camera begins slow dolly-in, accelerates midway, then decelerates smoothly into final close-up\"\n\n\nCombined Movements (use sparingly):\n\"Camera dollies in while simultaneously tilting down, maintaining subject center-frame\"\n\n\nFocus Pulls:\n\"Rack focus from foreground [element] to background [element] as camera remains locked\"\n\n\nLens Simulation:\n\"Wide-angle 24mm distortion gradually compresses to telephoto 85mm compression\"\n\n\n\nCritical Output Rule\n\nOUTPUT ONLY THE PROMPT. NO EXPLANATIONS. NO COMMENTARY. NO ADDITIONAL TEXT.",
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